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Al Hensley - Rhythmns Magazine January 2008







Billy Pinnell - Mag Magazine December 2007





Write up by Johnno - 11 Fingers 16th September 2007



Joe Blows them away -both a survivor and innovator!

Wow! The Joe Galea band has re-surfaced as a pumping V8 cruiser! I have had the pleasure of watching the various incantations of Joe's offerings over the past 16 - 17 years and from those early days of the Cross the Boarder at the station so many great things have evolved over time. Joe's history goes back further than that playing in a number of line-up's from both International to home grown artists. The line up over those years has boasted a number of well versed players that represent and span the last 40+ years of rock, blues, and soul here in Oz, resulting in a fair slab of respect from other in the business over that time.
Joe's numerous CD'
s pay homage to the shifts from rock through blues to the soul-filled music that booms from every possible location in your stereo system. Whilst Joe and the guys are in action doing their stuff you are treated to a whole era of Australian music scene that makes you both glad to have caught the show and to have witnessed the evolution of the music on offer.
I was lucky enough to catch one of Joe's shows at Davey's in Frankston yesterday (Sunday 15th) and was completely blown out by the energy. I had a growing sense that in many ways that Joe had arrived... All those past band line-ups, the CD's and Festivals that had shown what he had achieved, and how he had belted out "that particular distinctive brand" of wholesome music that was unmistakably "Joe". Somehow were under threat! From a new bigger band sound.
Joe has reinvented what he has to offer and not only in terms of a slight shift from what was done in the past, but a substantial move to a markedly different level within the Australian music geography.
Sure we have seen newcomers on the block and many have notably assumed a place within the fabric that is the music industry.
Joe is both a survivor and an innovator who has seen Lobby, Thorpie, and Max together with many others as his contemporary peers within the Industry over a good few years, yet still willing to shake it with the cream of both Oz and international acts at most festival gigs around the country.
I simply couldn't believe the energy and at the same time an air of comfort as he wove a very powerful musical spell that left the audience crying out for more. I caught up with Joe at one of the breaks along with a bunch of other well wishers and life long fans, and was struck by his matter of fact down to earth manner together with his long standing sense of humour and eagerness to make sure that all the patrons had and/or was experiencing a real good time.
If you have never seen the Joe Galea experience in any of its former incantations, you simply must take the time out of your busy schedules to see and believe that Oz music still has its representative from past - present - and future, alive and well pumping out the best there is at a venue close by. Possibly just around the corner from where you live - both physically and mentally.

The answer my friend is no longer "blowing in the wind"! The answer is blowing out  of the Joe Galea band'
s horn section!

Johnno 11 Fingers





Gympie Muster Music Festival - August 2007





The 2007 Gympie Muster will be known as the wettest in the history of the Muster, but the Joe Galea Band was not going to let a little rain dampen their enthusiasm and made sure the crowd that had braved the wet weather were not disappointed.
Due to the rising flood waters, the boys could not reach the Festival on the Friday evening, but with the weather improving each day, the band was able to perform on Saturday and Sunday.
As the boys took to the stage on Saturday evening, it wasn't long before the crowd let them know who they had been waiting for and Joe did not let them down.
The Joe Galea Band know the meaning of the word "entertain" and Joe encourages the crowd to participate - uniting the large "Blues Venue" tent in one big chorus.
Joe closed the Blues Venue on Sunday evening being the final act of the Festival. As they promised - the crowd from the previous evening - plus others, returned with even more enthusiasm.
The dance floor was packed and the seats were full as Joe and the boys had all the crowd yelling for encores. Every member of the audience either danced, clapped or tapped their feet. Towards the end of the show Joe had the crowd in a frenzy and during the song "Do You Have a Garter Belt" (from his latest C.D.) the band were showered with women's bras!!! And the odd pair of briefs!!
The band took it all in good fun and had a good laugh, it reminded them of their earlier years on stage! The girls were a quarter of their age but it is obvious that age is no barrier when it comes to appreciating great music.
Joe, Bomba, Paul, Rick, Jimmie and Peter know how to let the audience know - they've been "entertained"!





Mordialloc by the Bay Festival  March 2007


This annual Festival has some of Australia’s top musicians performing in various venues in Mordialloc and also on the main stage in Mordialloc’s popular “Peter Scullin” Reserve. This year March 2007 the organisers did not let the audiences down and they booked a variety of “big band” type bands including brass sections and keyboards.

The Joe Galea Band slot right in to this group with their talented Peter Phillips on keyboard, Steve Conlin on tenor sax, Robert “Bomba“ Davie on lead/slide guitar, Paul Adamson on Bass and Rick Puchala on Drums.

The sun was just beginning to set over the Mordialloc beach when the band started their set. The crowd was large and still building as they launched into “Is It Alright”- by the time they started “Stagger Lee” the portable dance floor was filled to capacity and people on the outer were grateful for the large screen perched high to the left of the stage so that they did not miss any of the action by these extremely talented bunch of musicians.

Joe paid tribute to Australia’s legendary Billy Thorpe - an old friend from his early days in Sydney singing Rock Me Baby, a song made popular by “Thorpie” and with Joe’s gutsy raw vocals he more than did it justice which was obvious by the crowd’s approving cheers. The audience proved that they could also sing - joining Joe in the chorus of “Jealous Man’ and by this time Joe had them under his spell - a showman and entertainer, without a doubt Joe Galea managed to give his audiences exactly what they came for, an hour of dancing, good music and entertainment.

It was heard by several people in the audience that with one act left to play - The Joe Galea Band’s performance was going to be a hard act to follow!






Gympie Muster Music Festival - August 2006

The Joe Galea Band have just completed a successful 3 days at the 25th Anniversary of the Gympie Muster Music Festival.
The Festival has approximately 10 music venues catering for all genres of music, the Blues Venue was the place for The Joe Galea Band and their first appearance was on Thursday night.
Gympie is a long way from the familiar venues and crowds of Melbourne and the audience watched the boys set up with curious anticipation. Joe started off with "Is It Alright" and quickly launched in to "No More Doggin" followed by an original called "Money Tree". Joe's great version of "Stagger Lee" confirms what people from the band's home town of Melbourne and other Festivals around Australia already know - that The Joe Galea Band - without a doubt are one of Australia's leading Rockin' Blues Bands.
The second performance on Friday night saw the crowd size double from the previous night. Joe has the ability to reach out to his audience and has them singing along to songs like "Jealous Man". An entertainer every minute he is on stage.
The pace was set for the last song by the precision drumming of Rick Puchala on Congo Square. From the individual solos of Steve Conlin (Sax), Peter Phillips (Keyboards), and Robert "Bomba" Davie (Guitar), to the driving Bass into "Why Me" by Paul Adamson - The Joe Galea Band are fast becoming one of the most sought after bands for Music Festivals around Australia.





Rob Rowe -Way Out West Blues Club December 2005

The Joe Galea Band are one "serious kick arse" band who had the place jumping from their first salvo.  You must see them next time they are in town.





Blues on Broadbeach Festival May 2005

Friday night at Broadbeach, and the weather was reminiscent of Melbourne - the Festival on the Main Street stage was getting underway. Unlike Melbourne audiences the Queensland crowd have not had the pleasure of listening to The Joe Galea Band. As the guys are introduced and Peter Phillips tinkles on the keyboard the crowd show their interest by coming closer to the stage. Ken Maling warms up on his sax and now all eyes are on the stage. Joe starts the night with “Is It Alright” and the evening begins. After the first few numbers, we now have other bands - waiting to follow, watching from the side (very impressed!). In his usual style Joe has everyone up dancing - teenagers, toddlers, and the “more mature” members of the audience.
Joe is also joined on stage by friend and fellow musician Dirk Bowes playing harmonica (Dirk played bass, harmonica and didgeridoo with Joe in “Cross the Border”). Whether it is a bluesy “Who’s Foolin Who” or a rockin’ Stagger Lee the crowd are enjoying every number and interest is rising from prominent members of the audience. After the performance Joe and other members of the band are stopped in the street by people just wanting to show their appreciation for the great music that The Joe Galea Band has brought to this years “Blues on Broadbeach” Music Festival.




Sleepy Hollow Blues Club - July 2005 Geelong

Geelong - nicknamed “Sleepy Hollow” it is far from “Sleepy”! The Sleepy Hollow Blues Club holds it’s Sunday night Blues session at the Limelighters Club, held in the basement of the old T & G Building on the corner of two of it’s main streets - Ryrie and Moorabool Streets. As you descend the steps and pass through the quaint old 50’s style heavy glass doors the atmosphere of bygone days is ever present. The venue is open most nights of the week as a Club in it’s own right and used by the Blues Club on a Sunday evening. Images of Blues/Rock artists, (created by Jesse - one of the partners of the Blues Club) adorn the lime coloured walls. As starting time approaches (6.00pm) the crowd is becoming ever larger, the band starts with “Ken’s Boogie” (an instrumental written by sax player Ken Maling), as Joe then takes to the stage the place is now packed and yet the people are still arriving! Not having played in the Geelong area before, most of the audience have not had the pleasure of hearing The Joe Galea Band, and are obviously pleasantly surprised to find that they are in for a great evening! As is his usual style - Joe includes the audience in everything that he does, whether it is walking to the nearest table to sing to one person in particular, or offering them the microphone for the chorus, the whole room feels that they are part of Joe’s performance. Those that like to dance are on the floor immediately when the guys play “Stagger Lee” an ever popular song that Joe has included on his next C.D. “Midnight In New Orleans” due for release in the next few weeks. “Congo Square” (also on the new C.D.) shows the brilliance of the band’s drummer Rick Puchala as he drives the beat along on this exciting number. At the end of the evening the crowd applaud for more and call for an encore which of course Joe happily obliges.
Whether it is the Bass Guitar intro to “Why Me”, the Sax and Keyboard solos on “Who’s Foolin’ Who” or the Guitar solo on Stagger Lee, Joe is extremely proud to have such top class musicians with him that make up - “The Joe Galea Band”




Editor's Review - MP3.com July 2005

Bluesmen often improve with age, theirs being a genre of hard-won wisdoms and whiskey vocals. Australian scene vet Joe Galea is no exception to this rule, and his new band may be his finest yet. Galea's voice has worn to a deep husk, and his combo's juicy electric guitars, bayou keyboards, and throaty sax sound as if they've fought some battles too.




Colin Lynch - International Online Magazine June 2005

Joe Galea was injected with a blues, soul, and R&B phonograph needle when he was a Sydney teenager and became so addicted to the sounds of Otis, Wilson, Bobby Bland and others that no form of rehab could ever have straightened him out. For evidence of the sheer potency of Joe's narcotic influences... take a listen to Money Tree or Wash My Hands... I promise you... you ain't heard stuff like this since you first crossed over from vinyl to CD! The sheer collective musicanship of the Joe Galea Band is enough to make you drop everything to start a Joe Galea official fan site or stalk the guy into the Police arrive to find you screaming hysterically for anything that comes out of the man's mouth... even if it is a collection of Australian choice 'F' words! Interviewing an artist of this calibre is one hell of an honour.. the man exudes excellence and the band demands the utmost respect and appreciation. For the record... my Desert Island Discs would have to include the band's latest offering 'Midnight in new orleans... if you had any sense... you'd include it too!



Przemek Draheim - D.J. from Poland August 2005

Having a voice like yours must be a God's gift. Your singing made my hair stand on it's end, just great. Together with a tight band of professional musicians and catchy arrangements your CDs made me sway from the first track to the last one. It will be my pleasure to play your music in my shows. I'm sure that my listeners will enjoy it as much as I do. Thank you again Joe for the music you've sent me. Let us stay in touch. Best wishes, Przemek Draheim website: www.blues.pl/draheim e-mail: draheim@blues.pl



Al Hensley - Rhythms Magazine September 2005

This album gives new meaning to the old adage "you can't judge a book by it's cover". Melbourne & New Orleans might have a lot in common but it sure ain't the rivers on which they're situated. Behind a cover pic of night time on the Yarra the Joe Galea Band's new CD oozes Mississippi mud as it updates a host of New Orleans rhythm & blues classics, some Memphis soul'blues gems and a rousing original. Fat sounding soprano, alto, tenor & baritone sax charts, arranged & played by Ken Maling, add muscle to Robert Davie's ballsy guitar, Peter Phillips' rolling keys, Barry Hills' solid bass & Rick Puchala's thundering drums. Galea's powerful pipes compare favourably with those of early U.K. bluesman Long John Baldry from whose songbook comes the title track. From the opening bars of Denise La Salle's Wild Thang(All Night Long) to the closing strains of Lloyd Price's "Stagger Lee". nearly 50 minutes later, Galea's band keeps the pressure on through thirteen hard-rocking songs in the style created all those years ago in Cosimo Metassa's legendary New Orleans French Quarter studio. Clarence "Frogman" Henry's "Ain't Got No Home". Delbert McClinton's "Why Me". Rosco Gordon's "No More Doggin" Bobby Bland's "Who's Fooling Who" and Wilson Pickett's "6345789" are given fresh work-outs. Although some lyrics have been changed & Maling puts his own twist on Herb Hardesty's distinctive smoky sax solo, the Joe Galea Band's take on Fats Domino & Dave Bartholomew's "Blue Monday" stays true to the original. Full credit also goes to Galea for a bold attempt at Sonny Landreth's Crescent City anthem "Congo Square". Immaculately produced by David Briggs. "Midnight in New Orleans demonstrates why the Joe Galea Band have become a crowd-pleasing festival attraction.




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